Great Guitars

And the Music they Make

Heritage Eagle

Milestone Guitars

The history of the guitar would seem to span at least 4,000 years, back to ancient Babylon.

There have been many developments along the way and the family tree has had several interesting branches and offshoots.  I'll start my account of modern guitar history with Johann Stauffer, an Austrian luthier in the early 19th century.  Stauffer built some fine instruments that would seem fairly familiar to us today.  In the 19th century the word guitar probably meant an instrument that had a flat top with a round or ovular sound-hole.  Many of those guitars were small by today's standards but their shape and layout were similar to the flattop guitars we have today.

Working as an apprentice to Stauffer was one Christian Frederick Martin. In time he took his skills back to his native Germany and subsequently to his new home in the United States.  Eventually settling in Nazareth, PA, Martin guitars led the field and introduced X-bracing, an innovation that is with us to this day. 

Pre Model-O Gibson ArchtopIn the late 19th century a popular group of entertainers traveled the US playing mandolins.  Soon a mandolin craze developed and from roughly 1880 until the 1920s mandolins were very popular.  In pursuit of a better sounding mandolin a hobbyist named Orville Gibson came up with the idea of carved, solid-wood tops and backs that somewhat resembled the tops and backs of violins.  His idea worked and he patented it.  He worked on his own for a few years and then ended up selling the rights to his design to a group of investors that became the Gibson Mandolin-Guitar manufacturing company.  In the meantime, Gibson himself had applied his carved top idea to guitars. 

The arched-top guitar made its commercial debut as the Gibson Style "O", a guitar that looked something like a large mandolin. The Style "O" was a big step forward incorporating the design concepts of the archtop mandolin with the functionality of the guitar.  The Gibson company sold it from 1902 until 1923.  Even though it was an archtop guitar it still had a oval sound-hole.  Everything about its appearance was very much in line with that of a 19th century mandolin but it bore little resemblance to either the flattop guitars of the day or the archtops that we see today.